Music Publishing covers the basics of how a composition is copyrighted, published, and promoted. Publishing in the music business goes far beyond the physical sheet--it includes live performance and mechanical (recording) rights, and income streams from licensing deals of various kinds. A single song can generate over thirty different royalty streams, and a writer must know how these royalties are calculated and who controls the flow of the money.
Music Publishing: The Roadmap to Royalties books pdf file
Ron Sobel is an attorney and the founder/president of North Star Media, a music publishing administration and consulting company based in Studio City, California. NSM is actively engaged in representing writers and their catalogues to the film and television community. Sobel is a former Vice President of ASCAP, the leading society representing composers.Dick Weissman is the most published American author on the music business. He has written four books about the music industry. He taught for twelve years in the Music & Entertainment Industry program at the University of Colorado at Denver, was VP for the Music & Entertainment Industry Educators Association, and has a long-term career as a studio musician, recording artist, songwriter and record producer. His book The Music Industry; Career Opportunities, Self Defense, is currently in its 4th edition.
Publishing royalties: Your PRO (performing rights organization) will collect royalties on your music, including public performance royalties (radio, TV, live venues), mechanical royalties (sales through retailers, streaming, etc.), and sync royalties (commercials, film, TV). Whenever you play your music live, submit a copy of the setlist to your PRO and receive royalties for your own performances.
We have put together a Roadmap for the Essentials when planning and releasing music. If you have a team and lots of resources, this is a great guide to help you plan your release timeline. If you are just starting out, then this roadmap can be used as a reference as something to aspire to.
PPL collect and distribute royalties on behalf of performers and record labels for the use of their recorded music. For example, if a track gets played on BBC Radio 1 the composers can collect royalties from PRS, and the artist and label can collect royalties from PPL. Labels can do this directly with PPL however their complex interface can make it frustrating and difficult to manage.
If you do hip hop, R&B, electronic/EDM, reggae/dancehall or latin music, Audiomack is another music distribution platform you can upload your music. Similarly to SoundCloud, you can schedule your single to go public automatically. Just keep in mind they only focus on those specific genres. Also, they only pay out master recording royalties and no publishing royalties. 2ff7e9595c
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